The Beast Must Die

The Blu-ray release of "The Beast Must Die," presented by Indicator/Powerhouse Films, showcases the film in a 1.67:1 aspect ratio, utilizing an MPEG-4 AVC encoding and a 1080p transfer from a recently restored master. While the restoration initially promises an exceptional viewing experience with its healthy density levels and overall image robustness, the presentation soon reveals significant shortcomings mainly due to questionable grading decisions. This aspect has led to a viewing experience that deviates from the expected visual delight, especially evident in scenes requiring nuanced darkness and shadow details.

Specifically, the darker scenes suffer from overly aggressive grading, making it difficult to discern what is happening on screen. This issue is compounded during scenes of the hunt involving Calvin Lockhart's character, Tom Newcliffe, where instead of enjoying rich, filmic visuals, viewers are met with blocks of black crushing that erase essential image nuances and create a visually flat and non-dimensional experience. Screen captures #21 and 22 exemplify these problems, showcasing how such grading not only affects visibility but severely impacts the depth and detail in indoor scenes and layered shadows, leading to a presentation that does not fulfill the potential of the restored master.

Despite the solid image stability and fluidity, these positive attributes cannot overcome the flawed grading that ultimately undermines the Blu-ray's visual integrity. This has resulted in a missed opportunity to deliver a truly special viewing experience of a classic film. Aspects like color values and overall health of the master suggest what could have been, but the end result is a presentation marred by dark, flat visuals lacking in detailed quality one expects from a Blu-ray release. Furthermore, it's important for interested buyers to note that this is a Region-B locked Blu-ray, necessitating an appropriate player for access.

The audio presentation of "The Beast Must Die" on its Blu-ray release is delivered through a singular, yet commendably executed English LPCM Mono track (48kHz, 24-bit), with optional English SDH subtitles catering to the needs of the hearing impaired. This technical setup ensures that purists and those seeking an experience true to the film's original atmosphere are adequately served. The mono track, though limited by today's surround sound standards, surprises with its clarity and balance, providing an aural experience that belies the film's age and budgetary constraints.

Notably, the audio quality is exceptionally clean and sharp, showcasing an upper register free from the common detriments typically associated with older cinematic works. Such preservation is commendable and contributes significantly to the overall viewing experience. The dynamic intensity, while reflective of the film’s modest production values, surprisingly punches above its weight class. This suggests a level of care in the audio restoration process that goes beyond mere fidelity to the source.

Moreover, this release demonstrates a respectful and skillful handling of the audio elements, ensuring that dialogue, music, and sound effects are all well-represented within the limitations of a mono track. The effort made to present the best possible audio experience within these confines is evident and praiseworthy. Hence, while the film itself may not provide a canvas broad enough for a truly immersive sonic spectacle, the quality of this LPCM Mono track does an admirable job of delivering a clean, balanced, and enjoyable audio experience that complements the film commendably.

The extra presentation of the Blu Ray of "The Beast Must Die" is a treasure trove for aficionados and collectors alike, offering a comprehensive behind-the-scenes look at the film's production and legacy. From vintage materials such as the original trailer and Super 8 Version, to insightful commentaries including an archival audio commentary by director Paul Annett and Jonathan Sothcott, and expert analyses like the introduction by horror novelist Stephen Laws, this collection provides a deep dive into the cinematic and thematic intricacies of the film. Especially noteworthy are the detailed interviews with key figures such as director Paul Annett, cinematographer Jack Hildyard, and producer Max J. Rosenberg, which reveal fascinating aspects of the creative process and challenges faced. The inclusion of an extensive image gallery, a reversible cover featuring vintage poster art, and a 40-page booklet with essays and archival articles further enriches the viewing experience, making this edition a must-have for enthusiasts looking to fully appreciate the film's place in horror cinema history.

Extras included in this disc:

• Trailer: Vintage trailer for The Beast Must Die.
• Trailer Commentary: Kim Newman and David Flint comment on the original trailer.
• Super 8 Version: Original studio Super 8 version.
• Paul Annett: Directing the Beast: Archival interview with director Paul Annett.
• Introduction by Stephen Laws: Horror novelist Stephen Laws discusses the style and tone.
• The BEHP Interview with Peter Tanner - Part Two (1939-1987): Audio interview excerpt discussing Mr. Tanner's film editing career.
• The BEHP Interview with Jack Hildyard: Audio interview excerpt with cinematographer Jack Hildyard.
• Interview with Max J. Rosenberg: Archival audio interview with producer Max J. Rosenberg.
• Audio Commentary: Archival commentary by Paul Annett and Jonathan Sothcott.
• Image Gallery: Collection of original promotional materials.
• Cover: Reversible cover with vintage poster art.
• Booklet: 40-page booklet with new essay, archival article on Amicus Productions, and more.

Paul Annett’s 1974 venture, "The Beast Must Die," receiving a new life on Blu-ray courtesy of Indicator/Powerhouse Films, holds a unique place in the pantheon of horror-thrillers due, in significant part, to its idiosyncratic blend of genres and a vivid throwback to the sensationalism of its era. The film is served well by this release, which brings archival riches including directorial and authorial audio commentaries, and interviews with significant behind-the-scenes figures, among them producer Max J. Rosenberg and cinematographer Jack Hildyard. These features alongside the main feature's optional English SDH subtitles ensure a comprehensive experience for both die-hard fans and newcomers to Annett's work.

Central to the film's narrative and thematic intrigue is its ambitious yet perilously balanced play within the horror genre, invoking a gamut from suspenseful thriller to blaxploitation and beyond. The movie could have arguably benefited from a less revealing title and a prologue omission for a subtler buildup to its 'beastly' revelation, as suggested by critiques. Its bait-and-switch approach keeps audiences on their toes, blending familiar horror elements with a distinctly British humor that might elude the less astute viewer. The film's initial depiction of Calvin Lockhart's character, Tom Newcliffe, as a prey turned hunter on a luxurious British estate unfolds into an unexpected mystery invoking the spirit of Agatha Christie with a monstrous twist, challenging the audience's expectations at every turn.

While "The Beast Must Die" teases the potential for high cinematic achievement, it's undermined intermittently by logic-defying scenes and character actions that serve more the director’s vision than narrative cohesion. Despite these missteps and the presence of industry heavyweights like Peter Cushing, whose talent arguably remains underutilized, the film’s premise—a high-stakes hunt for a werewolf among guests on a private estate—still captivates. This amalgam of suspense, horror, and wry humor underlines what could have been a more polished gem but remains a noteworthy and entertaining endeavor in the genre's history. Through this meticulously restored Blu-ray edition, "The Beast Must Die" reaffirms its place within the cult spectrum, encouraging a reevaluation of its unique corner within cinematic storytelling.

The Blu-ray release of "The Beast Must Die" brings to the foreground a once underappreciated cinematic endeavor that intriguingly melds disparate genres into a singular, albeit rocky, narrative experience. The film's early segments shine with unpredictable turns and a cloud of mystery shrouding the main suspects, setting a promising stage that unfortunately does not maintain its momentum. As the story progresses, there's a notable dip in coherence and character development, leading to what can ultimately be described as B-grade entertainment. The initial intrigue, fueled by eclectic genre elements and suspenseful setup, gives way to a second half where the screenplay fails to leverage its established stars effectively, resulting in a culmination that, while enjoyable for some, might not resonate on a more memorable level.

Adding to the complexity of this release is the quality of the Blu-ray itself, sourced from a restoration that can only be described as frustrating. This technical aspect is crucial for collectors and enthusiasts seeking to enrich their libraries with quality presentations. The visual restoration lacks the consistency and clarity one might expect from a modern reissue, underscoring the importance of previewing this edition before making a purchase decision. Such a preview could help potential buyers gauge whether the visual and auditory restoration meets their expectations or if it detracts from the overall enjoyment of the film.

In conclusion, while "The Beast Must Die" on Blu-ray captures an interesting cinematic experiment that blends various genres and offers early narrative promise, its impact is weakened by screenplay inconsistencies and an underwhelming second half. Additionally, the technical quality of the Blu-ray restoration leaves much to be desired, making it essential for interested parties to scrutinize this aspect before incorporating it into their collection. Despite these challenges, the film may hold appeal for genre enthusiasts and collectors drawn to cinema's more obscure ventures.